"Kwame is an internationally acclaimed Photographer & Creative from Cameroon. His work has been exhibited by the United Nations, and in cities like Paris & Geneva.
He describes himself as an “experimental storyteller”, dabbling with everything creative, be it copywriting for brands & social media, or shooting/directing ads, shorts & documentaries. The motivation to start photography was to get into film. He also edits with his iPhone 7, which he began taking photos with. His style, at it’s base is storytelling through photography - an example is his Photo Series “SHAME”, which ended up as a Magazine cover. He likes moody tones, and recently, blur effects. "
Samuel Belawu isa self-taught Hyper Realism Artist. He started drawing when he was 6 years old and it...
LEARN MOREOgbara Baiz Oriyomi is a native of Ikorodu, in the bustling city of Lagos. When he was two years old he started doing...
LEARN MOREAyodele Omodolapo is a graduate of the department of English, Obafemi Awolowo University. She enjoys...
LEARN MOREUduak-Abasi Ekong likes to use her imagination to create a different and interesting world so that her readers can...
LEARN MOREPrecious Adetunji is a Chemical Engineering undergraduate who is in love with essays. She is a Tell! Africa Fellow...
LEARN MORETovah Diouf is a 21 year old Senegalo/Camerounian girl who is passionate about living a full life...
LEARN MORE"Favour Obioha is a writer, content creator, and mobile photographer. When she is...
LEARN MOREGbemileke Oladapo is a Nigerian born pencil Artist whose primary medium of...
LEARN MOREEkwebelem Vickson Chidozie is a self-taught figurative pencil artist and a graduate of microbiology from...
LEARN MORE"Saida Abdullahi is a Taraba State born photographer based in Abuja, Nigeria. She is a final year student of...
LEARN MOREElie Hatangimana is a Rwandan visual artist . Elie Art journey started during 2016 after studying three years...
LEARN MORE"Chisanyim Okpola is a digital artist, illustrator and writer. Going by the alias 'Chisa Linto' she explores..
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